Details
Multicultural and Marginalized Voices of Postcolonial Literature
|
97,99 € |
|
| Verlag: | Lexington Books |
| Format: | EPUB |
| Veröffentl.: | 30.05.2017 |
| ISBN/EAN: | 9781498547451 |
| Sprache: | englisch |
| Anzahl Seiten: | 188 |
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Beschreibungen
<span><span>Women and the word marginalization have never remained oxymoronic – the cross-cultural texts and Engels interest on subjugation make a perfect recipe for this incongruity. </span><span>Multicultural and Marginalized Voices of Postcolonial Literature</span><span> traces multifarious facets of marginalized literature across the world, giving a brilliant overview of the historical roots of multiculturalist and marginalized sections. The fourteen chapters relate key literary and cultural texts and cover a broad spectrum of historical, linguistic and theoretical issues. There are three sections in the book – section I has four chapters, dealing specifically theoretical constructions and representations. Section II consists of four chapters that offer varied spectrum of discourses on world literature, intersecting with the frameworks of literary theories. Section III comprises six chapters that explore the mind of </span><span>dalits, </span><span>subalterns, colonial women and gender issues of a variety of Indian English Writers and draw varied perspectives of it.</span></span>
<span><span>Multicultural and Marginalized Voices of Postcolonial Literature</span><span> traces multifarious facets of marginalized literature across the world, giving a brilliant overview of the historical roots of multiculturalist and marginalized sections.</span></span>
<span><span>Foreword </span></span>
<br>
<span><span>Shirley R. Samuels </span></span>
<br>
<span><span>Introduction </span></span>
<br>
<span><span>Varun Gulati and Garima Dalal</span></span>
<br>
<span><span>Section I</span></span>
<br>
<ol start="1">
<li><span>Scripting Cultural Codes: Woman and Cinema</span></li>
</ol>
<span><span>Rachel Bari </span></span>
<br>
<ol start="2">
<li><span>De-linking Existence: From </span><span>Dasein</span><span> to </span><span>Damne</span></li>
</ol>
<span><span>Arti Nirmal and Sayan Dey</span></span>
<br>
<ol start="3">
<li><span>Displaced Denizens: A Socio-historical Reading of the Literature of Displacement from Assam</span></li>
</ol>
<span><span>Mukuta Borah</span></span>
<br>
<ol start="4">
<li><span>Colonialism/Postcolonialism: A Multicultural South Asian Perspective </span></li>
</ol>
<span><span>Vipan Pal Singh</span></span>
<br>
<span><span> </span></span>
<br>
<span><span>Section II</span></span>
<br>
<ol start="5">
<li><span>Nation State and State of Nationlessness: Michael Ondaatje’s </span><span>The English Patient</span></li>
</ol>
<span><span>Guru Charan Behera</span></span>
<br>
<ol start="6">
<li><span>Dynamics of Marginalized Female Voices in Ngũgĩ wa Thiong'o’s </span><span>Weep Not Child</span></li>
</ol>
<span><span>Geetanjali Multani</span></span>
<br>
<ol start="7">
<li><span>Buchi Emecheta’s </span><span>The Joys of Motherhood</span><span>: Linking Nature and Motherhood</span></li>
</ol>
<span><span>Sarannya V Pillai</span></span>
<br>
<ol start="8">
<li><span>History in Expatriate Experience: The Sacred Burden borne in </span><span>China Men</span><span> and </span><span>The Woman Warrior</span></li>
</ol>
<span><span>Sonali Garg</span></span>
<br>
<span></span>
<br>
<span><span>Section III</span></span>
<br>
<ol start="9">
<li><span>Reading the Autobiography of Baby Kamble’s </span><span>The Prisons We Broke</span><span> as a Community Biography</span></li>
</ol>
<span><span>Melissa Helen</span></span>
<br>
<ol start="10">
<li><span>Fear of Pollution: A Study of Humiliation in </span><span>Untouchable</span><span> by Mulk Raj Anand</span></li>
</ol>
<span><span>Fatima Syeda</span></span>
<br>
<ol start="11">
<li><span>Revisiting Class in Mulk Raj Anand’s </span><span>Untouchable</span><span>: Postmodern Reflections</span></li>
</ol>
<span><span>Golam Gaus Al-Quaderi and Sheikh Nahid Neazy</span></span>
<br>
<ol start="12">
<li><span>Locating Subaltern Voices in Anita Agnihotri’s </span><span>The Awakening</span></li>
</ol>
<span><span>Aaleya Giri and Anju Mehra</span></span>
<br>
<ol start="13">
<li><span>New Historicist Approach to Analyze the Novel: A Study of </span><span>A Bend the Ganges</span></li>
</ol>
<span><span>Pooja Gupta and Shalini Vohra</span></span>
<br>
<ol start="14">
<li><span>Scrutinizing Dark Stature of the Second Sex in Society: A Critique of Shashi Deshpande’s Selected Works</span></li>
</ol>
<span><span>Poonam Pahuja</span></span>
<br>
<span><span>Shirley R. Samuels </span></span>
<br>
<span><span>Introduction </span></span>
<br>
<span><span>Varun Gulati and Garima Dalal</span></span>
<br>
<span><span>Section I</span></span>
<br>
<ol start="1">
<li><span>Scripting Cultural Codes: Woman and Cinema</span></li>
</ol>
<span><span>Rachel Bari </span></span>
<br>
<ol start="2">
<li><span>De-linking Existence: From </span><span>Dasein</span><span> to </span><span>Damne</span></li>
</ol>
<span><span>Arti Nirmal and Sayan Dey</span></span>
<br>
<ol start="3">
<li><span>Displaced Denizens: A Socio-historical Reading of the Literature of Displacement from Assam</span></li>
</ol>
<span><span>Mukuta Borah</span></span>
<br>
<ol start="4">
<li><span>Colonialism/Postcolonialism: A Multicultural South Asian Perspective </span></li>
</ol>
<span><span>Vipan Pal Singh</span></span>
<br>
<span><span> </span></span>
<br>
<span><span>Section II</span></span>
<br>
<ol start="5">
<li><span>Nation State and State of Nationlessness: Michael Ondaatje’s </span><span>The English Patient</span></li>
</ol>
<span><span>Guru Charan Behera</span></span>
<br>
<ol start="6">
<li><span>Dynamics of Marginalized Female Voices in Ngũgĩ wa Thiong'o’s </span><span>Weep Not Child</span></li>
</ol>
<span><span>Geetanjali Multani</span></span>
<br>
<ol start="7">
<li><span>Buchi Emecheta’s </span><span>The Joys of Motherhood</span><span>: Linking Nature and Motherhood</span></li>
</ol>
<span><span>Sarannya V Pillai</span></span>
<br>
<ol start="8">
<li><span>History in Expatriate Experience: The Sacred Burden borne in </span><span>China Men</span><span> and </span><span>The Woman Warrior</span></li>
</ol>
<span><span>Sonali Garg</span></span>
<br>
<span></span>
<br>
<span><span>Section III</span></span>
<br>
<ol start="9">
<li><span>Reading the Autobiography of Baby Kamble’s </span><span>The Prisons We Broke</span><span> as a Community Biography</span></li>
</ol>
<span><span>Melissa Helen</span></span>
<br>
<ol start="10">
<li><span>Fear of Pollution: A Study of Humiliation in </span><span>Untouchable</span><span> by Mulk Raj Anand</span></li>
</ol>
<span><span>Fatima Syeda</span></span>
<br>
<ol start="11">
<li><span>Revisiting Class in Mulk Raj Anand’s </span><span>Untouchable</span><span>: Postmodern Reflections</span></li>
</ol>
<span><span>Golam Gaus Al-Quaderi and Sheikh Nahid Neazy</span></span>
<br>
<ol start="12">
<li><span>Locating Subaltern Voices in Anita Agnihotri’s </span><span>The Awakening</span></li>
</ol>
<span><span>Aaleya Giri and Anju Mehra</span></span>
<br>
<ol start="13">
<li><span>New Historicist Approach to Analyze the Novel: A Study of </span><span>A Bend the Ganges</span></li>
</ol>
<span><span>Pooja Gupta and Shalini Vohra</span></span>
<br>
<ol start="14">
<li><span>Scrutinizing Dark Stature of the Second Sex in Society: A Critique of Shashi Deshpande’s Selected Works</span></li>
</ol>
<span><span>Poonam Pahuja</span></span>
<span><span>Varun Gulati teaches Indian English literature, postcolonial literature, Shakespeare and twentieth-century American literature at the University of Delhi.<br><br>Garima Dalal teaches at the Linguistic Empowerment Cell of</span><span> Jawaharlal Nehru University.</span></span>
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