cover

Contents

Cover

About the Book

Title Page

Dedication

Epigraph

Chapter One: Fishguard

Chapter Two: The Placement Prospect

Chapter Three: Goodbye, Templeton House

Chapter Four: Hello, Mercutia Road

Chapter Five: The Wig

Chapter Six: Call Me Solace

Chapter Seven: More Snooting Heck

Chapter Eight: Coasters

Chapter Nine: Solace of the Road

Chapter Ten: The Iron

Chapter Eleven: The Tube

Chapter Twelve: London on a Plate

Chapter Thirteen: The Girl on the Bus

Chapter Fourteen: The Make-over

Chapter Fifteen: The Place of Dead Things

Chapter Sixteen: Hin-so-fish-shent Cree-dit

Chapter Seventeen: Safe in the Dark

Chapter Eighteen: The Clone Zone

Chapter Nineteen: The One-eyed Horror Story

Chapter Twenty: Tony’s Place

Chapter Twenty-One: The Dream on the Stairs

Chapter Twenty-Two: A Walk Through the Dawn

Chapter Twenty-Three: The Phone Box

Chapter Twenty-Four: Emmy-Lou of Eynsham Lock

Chapter Twenty-Five: The A40

Chapter Twenty-Six: The Vegan Truckie

Chapter Twenty-Seven: The Birthday Party

Chapter Twenty-Eight: The Scenic Route

Chapter Twenty-Nine: Down in Devon

Chapter Thirty: The News on the Radio

Chapter Thirty-One: In the Black Mountains

Chapter Thirty-Two: The Truck of Pigs

Chapter Thirty-Three: 154 Vehicles Later

Chapter Thirty-Four: The Boy on the Motorbike

Chapter Thirty-Five: The Ghost Town

Chapter Thirty-Six: The Getaway Car

Chapter Thirty-Seven: Carmarthen

Chapter Thirty-Eight: The Station Platform

Chapter Thirty-Nine: On the Dream Train

Chapter Forty: Hurry, Hurry, Holly Hogan

Chapter Forty-One: The Harbour

Chapter Forty-Two: The Hold

Chapter Forty-Three: In the Sky House

Chapter Forty-Four: Back in the Hold

Chapter Forty-Five: The Star of Killorglin

Chapter Forty-Six: Solace Soars

Chapter Forty-Seven: Thule

Chapter Forty-Eight: Road Dust

Acknowledgements

About the Author

Also by Siobhan Dowd

Copyright

About the Book

I put the wig on and I thought myself into Solace. I was Solace the Unstoppable, the smooth-walking, sharp-talking glamour girl, and I was heading into the red sky, thumb out and fag in hand.

Holly is sick of being told what to do. She’s ditching her old life and she’s heading off. She puts on her blonde wig, blows herself a kiss and flutters her eyelashes. And now she’s ready. She’s Solace, Solace of the road.

image

For Anna

 

If I was where I would be,

Then I would be where I am not.

Here I am where I must be,

Where I would be, I cannot.

from ‘Katie Cruel’, a traditional song

One

Fishguard

I BREEZED DOWN the line of cars, so cool you’d never have known I was looking for a way to board the boat.

I strolled along easy, blonde, the wig catching the light. Then I spotted it. A shiny navy four-by-four, seven-seater and no kids. The owners, grey-haired coat-flappers, had just got out, leaving the front doors wide open. They were metres away, looking out to sea, talking to somebody further up the queue.

They were mogits, one hundred per cent. Mogit’s the word Trim, Grace and I made up in Templeton House and it stands for Miserable Old Git.

I glanced in. Coats, magazines, newspapers. A child seat, but no child. Untidy. Perfect. I got in through the passenger door and squeezed into the back.

It smelled of dog hair and plastic, all mixed up. I curled up on the floor and covered myself over with the coats. It was quiet, dark and still. I couldn’t hear the wind.

I was off to Ireland under my own steam.

I waited. My skin prickled. My nose twitched. Jeez, agony. What the hell am I doing here? It was like I’d jolted awake in the middle of a dream to find I was in the same place and the dream was real. I nearly got up and dashed out but the owners came back. I froze. They got in and the four-by-four shook. That’s when the wig slipped. I felt it topple off the side of my head and I couldn’t do a thing. I scrunched up my eyes and clenched my teeth. The owners started talking. The car doors banged shut and the engine started.

‘About time,’ Mr Mogit grumbled. ‘We’ve been hanging around all morning.’

‘Your decision to leave at the crack of dawn. Not mine.’ (Mrs Mogit.)

‘It was my contingency time.’

‘You and your contingencies.’

‘What about the time the tyre blew?’

‘What about the time the tyre blew?’

‘You were glad we left early then.’

‘That was years ago. Before the grandchildren. Before the children!’

‘So. We’re due another contingency any minute.’

‘Saints preserve us. Stop gurning. Your man’s waving us on.’

I didn’t know what they were on about. Con-ten-gin-sea. It sounded like a weirdo cocktail, the kind you’d get at the Clone Zone. They had odd accents, these mogits, not like the other Irish people I knew. Not like Mammy or Denny, the nightmare man. Certainly not like Miko. But I was glad they were arguing, because they didn’t turn round. Mr Mogit revved the engine. We crept forward. We must have got to the ticket kiosk because I could hear the ferry officer checking their tickets. Would he spot the bulge on the floor at the back? I felt my luck tiptoeing away. Without the wig on, Solace was gone. I was plain old Holly Hogan again, the girl nobody wanted. But no. A miracle. The car banged over the ramp and there was a boomerang echo. Then voices, doors slamming, metal drumming. And somewhere the ship’s engine, deep and hot, turning. Even though I was under the coats, I could feel a strange heat rising and the pipes and the low-slung ceiling looming overhead, like somebody pinning me down the way they did when they locked me in at the secure unit.

I held my breath.

‘Don’t forget the food,’ Mr Mogit called. His voice felt close now we were inside the boat’s belly.

‘I’ve got it here at my feet.’

‘Great. Parma ham with cheese.’

‘Ach, shut it.’

‘Can’t take a joke.’

‘Not after six hours cooped up in here. This journey’s been as long as a wet week. Let’s get out.’

‘Shall we take the coats?’

That’s it. Caught.

‘It’s broiling. It’s sunscreen we need.’

Mr Mogit laughed. ‘You’re something else. Pass the bag over.’

I heard shuffling. The four-by-four shuddered as they got out.

‘It’s the bowels of hell down here,’ Mrs Mogit said. ‘Let’s go straight up on deck.’

Now or never. They’ll give the car a once-over and see me, or they won’t.

The front doors slammed shut at the same time. Then something happened that I hadn’t bargained for.

KRAAACRUUUNKK.

They’d locked the doors all at once with me inside. Oh, God. I could hear a muffle of voices drifting away.

When you’re in a car and somebody’s locked it from the outside, can you get out?

If you can’t get out, can you open the window?

If you can’t open the window, how long can you breathe the air that’s in the car? Does it last a crossing of the Irish Sea?

If it runs out before you get to the other side, do you die?

The questions fizzed in my brain like angry bees. I stayed rigid. Doors slammed. People walked by. Once the four-by-four rocked when somebody bumped into it. Then the noises of the cars and people went away. All I could hear was the big hot sound of the boat.

I pushed the coats back from my face and found myself staring up at cream and green flecks on the car ceiling. Then the flecks dissolved and instead I saw the sky house. The sky house is the last place I lived with Mam, way back. The clouds pressed up against the windows. Mammy and Denny were arguing, then they were laughing and the ice in Mam’s see-through drink was clicking and I was holding out an empty tube of toothpaste. No. Not that. I scrubbed the scene out like chalk from a blackboard. Mam was sitting at the mirror again, in her black dress, the one with the slinky halter-neck. The wind was in her hair even though she was indoors. And I was brushing her hair. That’s better. Don’t stop brushing, Holly, for love nor money.

But I was here alone with the cream and green flecks. I felt a hot tear roll down my face. They’d come and gone, the good guys, the bad, the ones who cared and the most who didn’t. There was only me left and the hollow boom-boom of the ship. I saw my dream of Ireland winking at me, but how can you sail into a dream? Dreams are like mirrors. You walk towards them and a cold pane of glass stops you.

Ireland. Green grass, moving.

Mam singing, Sweet dreams are made of this.

Cows going over the hill.

Freedom.

Where dogs laugh, showing their bellies.

And Mam smiles. Welcome home, love.

I sat up on the seat, stroking the wig on my lap. The seat leather was grey and soft. My cheeks burned. I breathed. Calm down, Holl. I tried the door.

Locked.

I pressed the buttons to scroll down the window. Nothing.

Stay cool, girl.

I peered out. Dim lighting, car on car, lines of bumpers, empty glass, drab colours. Then a lurch and roll. We were moving.

Jeez. Mrs Mogit was right. It was the bowels of hell down here. My stomach tilted, a half-beat behind the rest of me. I banged the windows. I hollered like a trumpet but the swaying didn’t stop. The airless heat will pass me out, I thought. Mammy, I thought. You’re out there somewhere. On the other side of the glass. Come and get me.

Let me out. Please. Somebody. Anybody.

Let.

Me.

Out.

The boat rolled. I screamed. I pounded the glass.

The darkness came down like a blanket in my brain. Underneath, the sea yawned. But nobody came.

Two

The Placement Prospect

IN THE DARKNESS, I was falling backwards to where I’d started my journey. The road I’d taken disappeared from under my feet, the mountains and castles and hills and tarmac crumbled and I was at the beginning again, back to how I left the Home. And that was down to Miko.

‘Miko,’ I said out loud. ‘Miko? Where’ve you gone?’ And there he was, in my mind, smiling at me. Tall as a door, with a mean whisper of hair. He was looking down at me from the top of a hill, his guitar slung over his back. Hurry, hurry, Holly Hogan, he sang. It was the tune he made up for me, the time we all went to Devon. Before the road disappears beneath your feet. Then he shook his head and turned away and vanished.

Miko was my key worker at Templeton House. That meant I was his special concern. His name was short for Michael and pronounced My-co. He had a unicorn tattoo on his forearm and he could juggle anything: slices of toast, a jam jar and a bunch of keys. Miko taught me to upend my mattress against the wall and kick it until all the nail-bomb bits in my brain stopped blowing. And though he didn’t have an accent, Miko was Irish originally, just like me and just like my mam. I liked him fine. He was on my side.

I was fourteen. I’d been in Templeton House longer than anyone, counting Miko. I’d seen them come and go, the staff and the care-babes both, but I liked it best now Miko was around. Miko helped me paint my room green and white. Over the window he’d hung the gold curtains my friend Grace and I’d found down the indoor market. So my room was green, white and gold, the colours of Ireland, and Ireland was in my room.

My room had all my best things. Drew from Storm Alert, my favourite band, smouldered down with his brown eyes from the wall posters. On the bed was Rosabel, the fluffy toy dog I’d had for ever. Rosabel followed me everywhere when I was little. I fed her bits of dinner and they’d pile up between her paws and go off. Then when Miko came he said, ‘Holly, it’s getting old.’ I was twelve. So I put Rosabel at the foot of the bed and there she stayed, warming my feet, and I stopped pretending she was real.

Most precious of all was Mam’s amber ring in my shell box on the shelf.

Templeton House was for six kids – three boys, three girls. The boys slept in the annexe at the back and the girls slept in rooms upstairs. Grace was my favourite girl and Trim my favourite boy. They were a year older than me. Trim’s second name was Trouble and Grace’s was Gorgeous. Grace, Trim and me went out cruising the tubes most Sundays and sometimes school days too. We were the hairy-scary care-babes and the younger ones stayed out of our way.

Miko said in his reports how I was sliding. I needed to stop letting others lead me off the rails. By ‘others’, he meant Grace and Trim but he never said so.

Then one day he came into the lounge and said, ‘Holly, I’ve news for you.’

We were watching the Titanic sink for the fiftieth time. It was lashing down rain outside and there was nothing else to do. There I was, sprawled on the beanbag with Grace leaning against my legs so I could sort through her beauty braids. I could hardly keep my eyes open, the rain made me so dreamy. I was imagining I was back in Ireland where it rains all the time. I hadn’t been there since I was small but I could see it still. I thought myself onto a green hill with Mam on the top. She was wearing her black halter-neck and her hair was rippling and shining in the wind. And the rain was so soft it was like walking through silk.

We’d got to the bit where Kate W runs to get the axe.

‘Shut the fuck up,’ Trim raved at Miko. Titanic was Trim’s all-time favourite film. Munching a crisp was enough to wind Trim up when Titanic was playing.

‘Yeah, what news, Miko?’ I asked, not really interested, and Trim smashed his fist to within an inch of my nose.

Miko jerked his head, meaning ‘outside’. So I left Kate W running down the ship’s corridor and followed Miko out to the little staff office with all the files. The files were lined up in grey boxes and each person’s name was on at least one box, and the longer they’d been in Templeton House the more boxes they had. I had six boxes, more than anyone.

Miko sat on the swivel chair. I sat on a wooden fold-up chair by the window and rested my trainers on the edge of the litterbin. You could see the garden from there and it was grey and brown and dripping, which was fine. I was smiling, thinking how if I was Kate W with the axe I’d have gone for the creepy man who wants to marry her.

‘Holly,’ Miko said.

‘Yeah. What?’

‘Do you want to know what’s new or not?’

‘Whatever.’

‘It’s a placement prospect, Holly.’

I shrugged. I’d heard that one before. It never came to anything.

‘It’s just what you wanted. Nice-sounding couple. No kids.’

He was grinning ear to ear like I’d won the lottery. I reached over and got a scrunched-up ball of paper out of the bin and dropped it from one hand into the other.

‘You’re in serious luck, this time,’ Miko said.

‘Oh, yeah?’

‘Honestly. I’ve chatted it over with Rachel.’ Rachel is my social worker, which is different from a key worker. A key worker lives part-time in the Home with you and the social worker just works nine to five in an office, same as anyone.

‘She’s met them and she thinks they’re really good people,’ Miko was going.

Good people. I put a finger in my mouth, down my throat.

‘OK. Nice people. They have a very pretty house. Victorian and all done up. You’d have a room all your own. And like I said, no kids.’

‘Are they Irish?’ I said.

‘Hey?’

‘Grace only has black placements. So I only want Irish.’

‘C’mon, Holly. Their name’s Aldridge. Which isn’t very Irish. But most English people have a bit of Irish somewhere – it’s a fact.’

‘Huh.’

‘So?’

‘So what?’

‘What d’you think, Holly?’

I threw the paper ball right at Miko but instead of it hitting him in the nose like I’d intended, he caught it real fast.

‘That’s what I think,’ I said. ‘Crap-ville.’

Miko threw the paper ball right back at me and I hit it back and we volleyed it around some and then he headed it straight back into the litterbin.

‘Aw, Holly,’ he said.

‘Aw, Miko,’ I said. I couldn’t help smiling. Miko was the best footballer I knew not signed up professional. ‘I don’t want a placement,’ I said. ‘I like it fine here.’

‘But school, Holly. You never go. With the Aldridges you’d start fresh at a new school. A better school.’

I looked as if to say Throw me another lemon.

‘Holly.’ Miko’s voice went quiet.

‘Yeah?’

‘Don’t pass this placement up on my account. Will you?’

I got the zipper of my sweatshirt and gave it a yank. ‘Ha ha. As if.’

‘Because, Holly, there’s something I want you to know.’

‘Yeah, what?’

‘I’m leaving here.’

There was a long silence. I turned back to the window and watched the raindrops cruising down like ants on a doomed mission. ‘Leaving?’ My voice felt small. ‘What d’you mean, leaving?’

‘I’m applying for a new job. It’s time.’

The rules said that when you and your key worker parted company, that was the end of all contact. For ever.

‘But what about our summer plans, Miko? We’re going back to Devon again, right? You promised. You’re gonna teach us surfing, right? What about those plans, Miko?’

He didn’t answer.

‘What d’you mean it’s time?’ I could feel myself losing it.

Then Miko’s hand was on my shoulder. ‘Oh, Holly.’

‘You’re my key worker, Miko. You and me. We’re a team. You said.’

‘It’s hard, really hard to explain. See . . .’

I bit my lip.

‘I’ve got to go, Holly. There’s nothing much I can do here any more. You’re on a slide. Like I keep saying. You need a real home. You deserve a real home. And the Aldridges have one. Just waiting for you. Trust me, Holly.’

I got up from the chair and gripped the hard edge. I didn’t want Miko to see my face so I turned back to the window and stared out at the dismal trees.

‘And I’ve got to go for another reason, Holly. It’s the shift work. It’s ruining my relationship.’ He was talking about his girlfriend, Yvette. Up to then I’d never even thought she was real, with a name like that.

‘ ’S wet out there,’ I said.

‘Just agree to meet them. Then see how you feel, Holly. Go on. Please.’

I stared at the dead leaves stuck on the lawn. ‘Soaking.’

‘Is that a yes, Holly?’

I didn’t answer.

‘Just a yes to meeting them, no strings attached?’

I waved a hand at him. ‘Yeah, Miko. Whatever you want. I’m going back to watch all those Irish people in third class get freed.’

And I drifted back to the lounge and the Titanic was half in and half out of the water at a bad angle. Grace was hunched on the floor, starting to paint her toenails a weird colour that the bottle said was called XTC. The room stank like bad deodorant. The room always stank like bad deodorant. Trim was sitting up on the sofa’s back and punching the air as the ship went down.

I sat next to Grace. ‘Pass the bottle over, Grace. I’ll do the rest for you.’

But instead I splattered a load of polish down on the oatmeal carpet like violet sick.

‘What d’you do that for, cow-witch?’ Grace screeched.

‘Shut the fuck up,’ Trim raved.

Placement prospect? More like pass the bloody parcel.

Templeton House without Miko? I’d rather have a ticket on the Titanic any day.

Three

Goodbye, Templeton House

RAY AND FIONA Aldridge lived in a place called Tooting Bec. They came to visit me at the Home the first time we met. Miko showed them up to my bedroom and left us there.

Fiona was small, with a pinched-up face and crow-lines round the eyes. She had a pixie nose and wavy hair, cut into a crooked bob, like she’d tried to do it herself. She wore dangling bell-things in her ears and a chunky jumper with red and green flecks. I read her right off. She was the kind of person who dresses poorer than she is and saves the whales. The kind of person who’d adopt a three-legged dog.

She sat next to me on the bed like we were old mates and spoke posh and soft and real polite. Ray didn’t say much. He stood by the door, his eyes off to the side, bored. He was thin and neat.

After the introductions were over, there didn’t seem much to say.

Then Fiona asked me when my birthday was.

‘What d’you think, name like Holly?’ I said.

Fiona smiled. ‘It’s a nice name. I suppose you came along around Christmas?’

‘That’s what everyone says. Only my birthday’s in June.’

‘June? That’s a good time. The holly’s green all year round, isn’t it?’

‘Is it?’

‘Yes, I think so.’

‘What about the berries?’

‘The berries? They only come in winter, I suppose.’

Great, I thought. So I’m a holly with no berries, just the prickles. Guess that’s when I decided she was another mogit, whatever about the smiles and nods and sitting next to me on the bed.

I don’t know why but I picked Rosabel up from my pillow and said how she was my pet dog from Ireland and was she allowed into their house too? Then I made a pretend bark. ‘Grrr-rap!’ And Fiona laughed and said she certainly was, any time.

And I don’t know why I did this either, but I asked why they didn’t have kids. What I really wanted to know was why they wanted me to come home with them. But Fiona said in a sad voice that she couldn’t, and she didn’t talk about it any more.

They said some more about how their house was by a common and how they had a room ready for me. Then they both shook my hand like I was a business prospect, and left.

After they’d gone, Miko came and asked what I thought.

‘Mogits,’ I said. ‘Both of them. One hundred per cent.’

‘Aw, Holly,’ Miko said. ‘Is that all you can say?’

‘Yep.’

‘Do you want to pursue this or not?’

‘Dunno.’

Then he started up again about how it was time I moved on, I’d be better off out of Templeton House, things were getting way too hairy here, and on and on. I scratched my head like I had nits, pretending not to follow. Then he dropped his voice. ‘Holly, I’ve just heard. I’ve got an interview. For that job. I’m on my way.’

I stared. A cold-bath feeling came down on me. I’d been thinking how maybe Miko wouldn’t get the job, end of story, how he’d go on being my key worker and how the Aldridges could take a sky-jump.

The shift work. It’s ruining my relationship.

‘An interview?’ I said. I picked up Rosabel and twirled her by the ear. I thought how maybe the people at the new job wouldn’t like him. And then how everybody liked Miko. The job would be his, sure as sunset.

Miko got up. ‘Yeah. Next Monday. So think about it, Holly. I’ve got a feeling about Fiona and Ray. They’re a chance in a million for you. You could go for a trial weekend.’

‘Oh, yeah?’

‘Yes, Holly. What do you think?’

I lay back on the bed and examined Rosabel’s brown front paw, imagining I was taking a stone out from her toe-pads. ‘Grr-rap!’ I said again. Miko leaned against the doorframe with his head tilted, like he was waiting. So I held Rosabel up and said in a gruff doggy voice, ‘OK. We’ll give the mogits a go. Grr-rap.’

‘You serious, Holly?’

‘Yeah. Whatever.’

Miko’s face lit up like Ireland had won the World Cup.

And that’s when I knew I didn’t really have a choice.

Four

Hello, Mercutia Road

THE DAY OF the trial weekend at Fiona and Ray’s, Grace, Trim and I stood in a three-way knot, arms and legs muddled. I felt Grace’s smooth cheek and Trim’s rude-boy elbows. Miko lounged against the front door of Templeton House and waved. ‘Knock ’em dead, Holly,’ he called.

As if.

It was Rachel’s job to take me on the tube to the Aldridges’ house. They lived on a street called Mercutia Road. The trees along it had yellow leaves. It was posh, with big tall houses in old yellow brick, and the kind of windows called sash. They looked down on you, all smug. The purple-grey roofs were the same colour as the sky. The doors were painted different colours. They had fancy door-knockers and slits for mail and seven steps up to them.

‘This is it,’ Rachel said. ‘Number twenty-two.’

‘Yeah.’

‘How’re you feeling, Holly?’

‘Fine.’

‘Not nervous?’

‘Nah.’

That first weekend I did everything Fiona said. She suggested I go to bed, I did. I didn’t put my earphones in when she was talking to me. I tried not to mind her making conversation all day long like some kind of recorded announcement on the Underground. That’s what her voice was like, the woman who tells you to alight here and mind the gap between the train and the platform edge. Posh and phoney.

Like the house. There was wood everywhere, even in the toilet. And everywhere was neat and tidy and just so. I swear I tried not to breathe from Friday to Sunday night.

At least Fiona and Ray had no kids. I’d be free of little brats here, not like in that placement at the Kavanaghs’. The brat there had given me a hard time. The worst thing was how he tore up the only photo I had of my mam. That was like being stabbed in the eye and his mother refused to believe he’d done it.

Here I had my own room and could keep everything private. I had a big bed with an apricot duvet, soft as they come, a chest of drawers with a key and a wardrobe with a long mirror. From the ceiling a lamp with glass pendants hung low, catching the colours in the room. By the window was a glass-topped desk and you could sit and look out over the garden to an ivy wall. Beyond the wall was more yellow brick and smug windows and beyond that the common. Tooting Bec. Snooting Heck.

‘Do you like it?’ Fiona said. ‘We’ve just had it decorated.’

I thought how at the Home, Miko’d draped the gold lamé curtains I’d chosen, all elegant over the window.

‘ ’S fine,’ I said. I’d brought Rosabel with me and put her on the pillow for a nap.

Fiona asked me what I liked to eat. I told her how I hated eggs. OK, she said. No eggs. Then I said pizza was my favourite and she got it for me.

The second weekend was the same. I went back to the Home on the Sunday night. Ray dropped me. He’d drive the car and say ‘Nearly there now’ every time he turned a corner. That’s how I knew the fostering was Fiona’s idea, not his. He couldn’t wait to see the back of me.

Come Christmas, Miko and Rachel told me they had a surprise present for me. The Aldridges were ready for me to live there, a proper placement. They liked me fine, Rachel said, and thought I’d fit in.

Yeah, I thought, like a heavy metal singer in a ballet class. ‘How long do they want me for?’

‘Open ended, Holly. Isn’t that great? They’re really keen,’ Rachel said.

‘Open ended? So they can send me back whenever?’

Miko waved a hand. ‘Why would they do that, Holly? You’re going to go straight, hey?’

Like I was some big-time crook. ‘Dunno, Miko. Being delinquent’s awful fun.’

Miko raised a brow.

‘OK, OK, I’ll try,’ I said. ‘But if they send me back, it’s not my fault. It means they don’t want to know.’

‘It’s open ended on both sides, Holly. You can decide you’ve had enough too.’ Rachel grinned. She was OK, Rachel. Only fifty per cent mogit. Some people, like Grace, have social workers that hardly ever come near you, and when they do they talk like you’re trash. Rachel wasn’t like that.

So in January, just before school started up, she took me to Mercutia Road on a Friday and left me, maybe for good. She knocked on the door and I dropped back to the fifth step so I could breathe. Snow was coming down like feathers and I thought of Trim and Grace and our three-way knot. But mostly I thought of Miko and the last hug he’d given me that morning. In my mind I was hugging him back again and again and thinking maybe it wasn’t the end after all, maybe he’d break the rules and send me a letter sometime, or I’d walk down the street one day and there he’d be, smiling.

‘Holly,’ he’d said. ‘You’ll be fine. I know.’

‘Yeah, Miko. Fine.’

‘Just remember. The mattress trick. And cracking each day open—’

‘Yeah, yeah, like a nut.’

‘That’s it, Holly. You’re a class act.’

But it wasn’t like he’d given me his personal mobile number or anything.

I shivered on those steps that morning in the snow in Tooting Bec.

‘You all right, Holly?’ said Rachel.

‘Yeah. Fine. ’S cold.’

‘I know.’ She touched my arm, then stamped her feet on the top step.

The door opened. Fiona was there, nodding like one of those daft dogs they have in the back of cars. ‘Come on in. It’s perishing.’

I walked over the doormat and I felt Fiona’s hand on my shoulder. ‘Holly,’ she went. ‘You’re welcome here, you know. Truly.’ The way she looked at me, she made me feel like I was her new toy. Then her voice went up a notch, to include Rachel. ‘Tea’s made.’

Rachel left soon after and Fiona cleared up the kitchen, humming, like it was normal to have a delinquent care-babe with a cracked-up past in her home. I stared at the wooden table and the mats on it and how the varnish looked brand new. The memory of the table back at the Home, with all the rings from hot drinks and scuffs and biro marks, made a heavy pain in my stomach. I thought of the wind-ups and Trim going ballistic and Miko juggling and Grace flicking her peas around the table instead of eating them. Why did I agree to come here?

Five

The Wig

DAYS PASSED. NEW school. New place. New people. New everything. The house on Mercutia Road was graveyard quiet. Outside, snow came and went, day in and day out.

Fiona kept starting conversations. I could never think what to say. Trouble was, she always got round to asking a question, so I had to say something. It was like she was trying to nose me out. I wasn’t a buried bone, for God’s sake. I tried not to be in the same room with her.

My favourite place was the stairs. I’d counted sixty-three, including the ones outside. I’d sit on the second landing, where the stairs bent round on themselves and there was a tiny window. I’d watch the snow fall and the sky go empty. Some days Rosabel’d sit in my lap, others she’d lie low on my bed.

When Fiona wasn’t looking, I’d go rooting around. I’d be in the drawers and cupboards, checking the place over, sniffing for anything that might start a new thought. But I only found boring stuff. Sheets, towels, sachets of lavender. Everything just so.

Then, after a week in the new house, I found the wig.

It was in the bottom drawer of a chest at the very top of the sixty-three stairs in a plastic bag so skinny I nearly didn’t bother looking inside. But I dipped my hand in for a mystery feel and touched thin strands, all scrunched and soft. So I had to look in. It was pretend hair, some almost grey, some gold, but overall blonde, with muted highlights. I took it out and fingered its layers and fringes. Inside, a net with a brown tape for keeping it on. When you held it over your fist, the white of your own skin shone through where the parting was, like scalp.

A wig, ash-blonde, drop-dead gorgeous.

‘Holly!’ came Fiona’s voice from downstairs. ‘Holly – lunch!’

I stuffed the wig back and shut the drawer. I promised myself when Fiona left the house to go shopping that afternoon, I’d try it on.

Downstairs, Fiona was looking like the last whale had been harpooned. It was Saturday and Ray’d gone to work, which he shouldn’t have. I sat down at the kitchen table and picked at my food, but I wasn’t hungry. That wig had really got to me. I tapped my toes on the floor. Then Fiona and I had our first row, a real wang-dammer.

When I got wound up in the Home and it got to be too much, it was like Miko said, a nail bomb went off. Anything near me went on a real hard flying lesson. Cushions. Chairs. Trainers. And Miko would come and clamp me down and my arms would be windmills and I’d swear and kick and it felt good. Then he’d say, ‘Do the mattress trick, Holly.’ I’d run from the room, go upstairs, yank my mattress off the bed, and kick it as hard as I could. He said to do it every morning and evening, even when I wasn’t angry. I’d hammer the springs with my trainer soles and then collapse, sweat pouring. And the others couldn’t wind me up so easily.

But that lunch with Fiona, I forgot the mattress trick. And anyway, my bed on Mercutia Road had a mattress too thick for lifting unless you were King Kong. I just wanted Fiona to hurry up and go out, so I could try the wig on.